Monday, October 27, 2008

Kwaidan by Lefcadio Hearn

Read: 27 October, 2008

This is a small, thin book with seventeen short stories (some barely more than a page or two, others a little longer) and three "insect studies." Most of the stories are old supernatural tales, but the author writes from his own experiences sometimes (one short story and two of the insect studies, if memory serves).

It's a short read and an interesting one. Far from an in-depth look at the Japanese supernatural, these are rather short vignettes that provide a beginner's taste. Overall, I found them interesting and thought-provoking.

The insect studies are very different. The Butterfly chapter does still discuss Japanese (and Chinese) mythology, but these are mostly put aside for the chapters on Ants and Mosquitoes. For this reason, these studies may be disappointing for readers who are interested solely in mythology and don't have a taste for idle musings. For my own part, I found them just as interesting as the stories of strange things found in most of the book.

Monday, October 20, 2008

Infidel by Ayaan Hirsi Ali

Read: 20 October, 2008

Ayaan Hirsi Ali's story is one of extraordinary courage. Growing up in a culture that is oppressive to women, Hirsi Ali first tries to find her sense of self in religion - trying to find the freedom she sought through Allah. The tipping point occurs when an arranged marriage sends her out of Africa and into Europe where, like a bird that has suddenly realized its cage door is wide open, she flies to Holland and seeks refugee status and, finally, comes to terms with the atheism that had been growing in her from her earliest days.

The novel is divided into two parts. The first part is devoted to her childhood in Somalia, Saudi Arabia, and Kenya. I say her "childhood" even though she remained her twenties because the culture as she describes it kept women as children, stiffling their intellectual growth. I think Hirsi Ali would be the first to agree with my use of the term. The second part of her biography opens with her arrival in Europe and subsequent cultivation of her Self.

These two parts are different in more than just content. The first shows a vulnerable girl, a child ruled over by her parents, culture, and religion. Though she does defy the authorities of her life at times, she is by and large kept as a victim. In the second part, we see her as an active participant in her life (despite the regression she suffers after the death of Theo van Gogh). Because of this, these two parts feel very differently. I found the first to be intensely powerful and emotional, frequently reducing me to tears and causing me to sleep quite poorly for a few nights! I think this is the first book that has affected me quite so deeply since childhood. The second part is far more intellectual, an exposé of the conclusions Hirsi Ali has drawn from her experiences. The reading was much slower from that point on, but no less satisfying.

Though I can't say that I agree with every idea Hirsi Ali espouses, she certainly manages to provide a convincing and rational case for them. My mind was certainly changed on a number of issues. This is a book that satisfies on a great many levels. Though I feel that many (of all faiths and from every end of the political spectrum) may be offended by Hirsi Ali's writings, Infidel is well worth reading. Hirsi Ali is unguarded as she speaks her mind and this is a rare quality. I recommend that everyone read it and digest it slowly. You may not agree with her conclusions, but you can only benefit from having read them.

Wednesday, October 8, 2008

Wild Animals in Captivity by Rob Laidlaw

Read: 17 September, 2008

I read this recently as part of my job and I must say that it was really quite interesting. It's a quick read with lots of good pictures (some cute, some heartbreaking) and I feel that I did learn quite a bit reading it.

Wild Animals is written with a young (tween to early teen) audience in mind. Unlike most reference book authors for that age bracket, Laidlaw never comes off as condescending and certainly never minimizes the role children have to play in animal welfare. Quite the opposite, he challenges young readers to examine zoos for themselves and determine whether they are animal-friendly or not. If not, he provides a list of steps even the youngest animal welfare advocate can take to fix the situation, which includes such "grown-up" things as writing to their local newspapers.

I think my favourite part of the book comes near the end where he juxtaposes good conditions with bad ones. Rather than just say that zoos are bad or complain about everything that can go wrong, he actually cites examples where zoos (or parks) have had the right idea and improved conditions.

Because the book avoids talking down to the reader, it is certainly appropriate for adults. I recommend it for anyone, of any age, with a budding interest in animal welfare issues.

Friday, October 3, 2008

Atonement by Ian McEwan

Read: 2 October, 2008

Amazing. Just, amazing. It hurt to read Atonement because I didn't want anything to change or for the characters to be hurt. But at the same time, I had to read on and find out how it would end. I had a couple late nights because I just couldn't put the book down.

The major strength is the characterisation. Even background characters were given enough detail and depth that they feel like living people. By the end of the first chapter, I felt that I knew these people, that they were my neighbours or possibly even friends.

The other major strength was in the realism of the plot. Everything that happens is set up so that the reader knows that there is no possible way that a consequence can be avoided. Yet at the same time, I found myself hoping so much that something wouldn't happen that I would almost convince myself that it couldn't, making it not only surprising but also heartbreaking when the inevitable caught up to the characters.

If pressed to find a flaw, I would say that the exposition of the second, third, and fourth parts could have used some work. McEwan seems to want to plunge his readers into a story without a map or compass, making the first couple pages of each part a confusing and difficult read as I tried to figure out who the characters are, where they are, what's going on, etc. This is acceptable at the very start of a novel, but going through it four times was three times too many. It isn't terribly difficult to answer the whos, whats, and wheres in an interesting way and it would certainly help to ease the transition into each portion. As it stood, the start of Part Two had me put the book down until I had the courage to go through all the work of figuring out where the story was. By Part Three, I was more accustomed to McEwan's trick, so I stuck it through. By Part Four, it was still unpleasant, but I was so close to the end and I just had to find out what happened to everyone.

It's a fairly quick read, but not a superficial one. Be prepared to devote all your attention to Atonement until the final page is reached. I highly recommend it to anyone, regardless of their interests (though if you love psychology, writing, or history, especially World War II, that would be a bonus).