The Poisons of Caux #1: The Hollow Bettle by Susannah Appelbaum

Read: 14 March, 2012

Apotheopathy - or healing - has been illegal in Caux since the deadly King Nightshade took the throne. Ivy Manx's uncle is one of the few apotheopaths still practising in secret. But when he goes missing, Ivy sets out on a adventure to find her lost uncle and to fulfil a mysterious and hidden prophecy about a Noble Child.

I picked The Hollow Bettle up on a whim. I'm trying to build a collection of good children's books to build my son's interest in reading, and this one has very appealing illustrations and seemed to have an interesting concept. Blind buying is always something of a gamble, and I'm generally so lucky that it stands to reason that I was about due for a dud.

Appelbaum's writing style aims for whimsy, but often opts for lyricism over sense. Her writing is littered with throwaway lines that sound lovely (if a little purple), but don't fit in with the text around them. For example, when Rowan tells Ivy to kick at the Outrider, we are told that "it was fortunate for Ivy that Rowan's advice was excellent." But what was excellent about it? Ivy kicks and it fails to free her from the Outrider.

I also noticed several occasions where Appelbaum chose the wrong words - often words that sound very similar to the right ones, or perhaps indicate a case of thesaurusitis (choosing a synonym without fully understanding the particular connotations of the new word). To be fair, the problem does lessen as the book goes on, perhaps as the author starts to find her groove, but it's enough of a problem that I would have considerable reservations giving The Hollow Bettle to children lest they build their vocabulary incorrectly.

The story itself suffered from similar problems. There's no question that the world Appelbaum constructs is interesting, but it seems that she was more interested in showcasing that world than in actually telling her story. As a result, each adventure adds little to the story or to the reader's understanding of the characters. Rather, the episodes feel disjointed, and Ivy moves from one to the next in fits and starts.

The illustrations are beautiful, and filled with details and life that are so lacking in the narrative.

Series: The Hunger Games by Suzanne Collins

The Hunger Games is a dystopian series set in the distant future Appalachia. The world - as much as we know of it - has destroyed itself and been reborn as Panem. In the centre is the Capital, where people live in luxury and entertain themselves with fashion and the drama of the Hunger Games. Around it are twelve districts, each focusing on a single industry so that all dependent on each other for the basic necessities of life. Once, 75 years before the series begins, the districts rebelled in what has come to be known as the Dark Days. There were thirteen districts then, but the Capital destroyed one in the battle. To ensure that the districts would never again seek to rebel, the Capital instituted the Hunger Games - a gladiatorial event in which two children, a boy and a girl, from each district is selected by lottery and entered into the arena, there to fight to the death until only one child is left.

The odds were in Katniss Everdeen's favour and she was not called to be a tribute for the Capital's Hunger Games, but her little sister was not so lucky. When Katniss volunteers herself to take her sister's place, her personal refusal to accept the Capital's rules lay the groundwork for a return of the Dark Days and the possible extinction of what's left of human society.

Are you on Team Peeta or Team Gale?

The Hunger Games series followed many conventions that could have reduced it to a superficial, silly novel - the love triangle between Katniss, Peeta, and Gale perfectly illustrates my point. It would have been all too easy for the Hunger Games to become about Katniss's "boy troubles," to make her struggle be about the men in her life. The narrative does flirt with this at a few points, but it does so in a psychologically real way that preserves Katniss's identity as an individual in her own right, rather than as an object for the competition between two males. As Shoshana Kessock points out, the only real team in the Hunger Games is Team Katniss.

Living vs Surviving

Katniss's reaction to her dystopian government grows and changes in interesting ways. In the beginning, she is resigned to her fate, content merely with survival. She dismisses the interests of both boys in her love triangle because she cannot envision a future with either, a future which may include having children, in a society that would allow have something like the Hunger Games. It's Peeta who offers her an alternative to simple survival - living - which, paradoxically, may mean martyrdom. His refusal to sacrifice who he is as a person to play by the Capital's rules is a lesson to Katniss that simply surviving isn't enough. She comes back to this lesson again and again through the series, each time understanding a little more about what Peeta meant.

Coming back to the romance tropes, it was so refreshing to see Katniss and Peeta help each other grow as individuals rather than simply learning to don a new identity at the expense of the self. Bella Swan, of Twilight fame is a perfect example of the latter. She sheds her self to take up the identity of her paramour (in this case, his identity as a vampire). In the Hunger Games, on the other hand, Peeta serves as a lesson, but it changes Katniss in a way that is unique to herself. She doesn't become a copy of Peeta, but rather a person who has been shaped by her relationship with him.

Moral Complexity

In the first book of the series, the sides are fairly clear: the Capital is bad, the Districts are victims. But by the second book, Katniss is unable to reconcile her hatred for the Capital with her love for the Capital people in her life, such as her design team, Cinna, or even Effie. By the third book, the moral line that divides the sides becomes even more complicated as we meet the people of District 13 and fine them to be something less than the rescuers they have presented themselves to be. As with so many of our real world revolutions, when the rebels win the war, they adopt all the habits they had so recently fought against. There's a lesson there for readers about trying to fit groups into a "good guy vs bad guy" narrative, and about thinking too uncritically about one's in-group.

Image

Much of the series revolves around Katniss's image. Throughout the series, characters are always dressing Katniss, using her appearance to tell a narrative that promotes their own agenda. I kept thinking of our fashions and the way that clothes often display the maker's branding in a highly visible spot, using their customers as walking billboards. Through it all, Katniss struggles to keep hold of who she is as a person, an individual separate from the image is made to project.

There's also a lesson here about the importance of image, and how powerful our appearances can be.

Conclusion

This series is absolutely fantastic. At only three books, there's really no reason not to go out and read it. It's very well written and excellently plotted. If you haven't already, give it a try!

The Hunger Games #3: Mockingjay by Suzanne Collins

Read: 11 March, 2012

The Hunger Games ended when Katniss destroyed the barrier keeping the tributes in the arena, but the battle against the Capital is far from over. After an all-too-short glimpse of freedom, she finds herself yet again a pawn in someone else's game - this time she is the Mockingjay, a symbol of the revolution used by the rebels and District 13 in their PR campaign.

I was worried about the third instalment of the Hunger Games series because so much could have been poorly handled. The love triangle between Katniss, Peeta, and Gale - which had been on hold while Katniss fought for the survival of herself and her loved ones - needed a resolution, and that might mean turning Katniss's world towards 'boy issues.' The Capital had been set up as the baddies from the start, but Mockingjay is the first time we get to look at possible alternative rulers. It would have been so easy to maintain the perception of the Capital is the series' baddies and reduce the conflict into a simplistic good vs evil conflict. And, lastly, the first two books in the series focused around a Hunger Game - what was left for the third? Surely we wouldn't see another Hunger Game? But where else was there to go?

I was pleasantly surprised on all fronts. Collins navigated the standard whirlpools with much grace and ended the series powerfully. Even the "years later" epilogue fit the story and only increased the emotion, rather than feeling too removed from the events for the reader to process. I'm not ashamed to admit that I was in tears for much of the ending.

I really enjoyed the twist - yes, there's a twist. It caught me by surprise, but only because it solved an issue that had been concerning me rather than because it was from "out on left field" or otherwise lacked sense. In retrospect, it fit Katniss perfectly.

Buy Mockingjay from Amazon now!

The Hunger Games #2: Catching Fire by Suzanne Collins

Read: 5 March, 2012

After Katniss defied the Capitol in Hunger Games, forcing them to allow two winners of the Games for the first time in their history, she returns home and tries to patch together a life that has been irrevocably changed by recent events. Her budding feelings for Peeta become even more confused now that Gale is once more by her side. But for now, she's tried to put the events of the Games aside as best she can while she carves out a new routine. Unfortunately, the Capitol is not so willing to forget her defiance.

Discussing Hunger Games with a friend on Facebook recently, someone chimed in to say that they truly enjoyed Catching Fire and actually considered it superior to the first book. I'm not sure I agree, but I can certainly understand where she was coming from. It starts out fairly slow, showing us a Katniss who is trying to make sense of her post-Games life, but then the story really catches fire (har har) and I found it impossible to put down. And with the fictional world and character exposition taking care of by the first book, Catching Fire was free to focus on development.

There were some weird authorial issues. I don't want to give too much away, so... this next bit is a total spoiler. Sorry. So, in both books, Haymitch communicates with Katniss in the games through the gifts he either gives her or does not giver her. So when there are five people in Katniss's alliance and they keep receiving bread rolls in multiples of 6, I assumed that Haymitch was trying to tell Katniss that her group should be looking to include Chaff (since Chaff was Haymitch's friend, and because Peeta had so easily remembered that he was still unaccounted for). And yet while much page space was given to Katniss trying to interpret all of Haymitch's other gifts, she barely gives the rolls a second thought. The only reason I could think of for this is because Suzanne Collins knows the answer, knows that it isn't anything she wants Katniss to guess, so she's just dropped it. It feels like a missed opportunity for some character development. Up until that point, Haymitch's gifts were always communicating to Katniss, but this time the message was meant for her allies. Katniss could have tried to guess the meaning and come to the wrong conclusion, and then had to deal with her feelings later about Haymitch "cheating" on her (which, frankly, would have made her anger at Haymitch's supposed betrayal at the start of Mockingjay - which I've only just started reading, so forgive me if this does get covered - far more palatable).

Buy Catching Fire from Amazon now!

The Hunger Games #1: The Hunger Games by Suzanne Collins

Read: 11 February, 2012

Every year in Panem, two children are chosen by lottery from each of the twelve districts to compete in the Hunger Games. Twenty-four kids enter the arena to fight to the death, and only one can survive.

The general story is a fairly common one, and I don't do well with stories heavy on action, so Hunger Games could have gone quite badly. But the action was just present enough to keep the story interesting without ever making me feel "actioned out." As for the plot, the interesting characters keep it fresh.

There is a love triangle, which seems to be a required theme in these sorts of books, but it never felt forced. Katniss naturally starts to develop feelings for Peeta when she finds herself in a life-or-death, high stress situation. Rather than coming off as a silly girl unable to decide what she wants, Katniss is instead confused by the stress of being so near death. I found this to be much more psychologically plausible and it avoided the demeaning perception of girls/women as too silly to know their own minds.

Even beyond the love story, the gender portrayals were refreshing. There are no helpless princesses in need of rescuing in The Hunger Games. Peeta is vulnerable, but even he shows enough strength to prevent the story from simply being a flat reversal of gender stereotypes. Katniss is strong, but realistically so, with failings and weak moments that don't feel token or trivial. She is a genuinely strong person, and a complete character to boot.

It was a bit of a shock to read The Hunger Games right after reading Clash of Kings. For one thing, the simplicity of the plot made for a difficult switch in my reading. But once my brain caught up, I found that I truly enjoyed the book. The setting was a dangerous one, and the novel could have easily devolved into a bludgeoning "message," but while the criticism of our present world are very much there, I never felt like it was overly forced.

Buy The Hunger Games from Amazon now!

Flatland by Edwin Abbott

Read: 30 November, 2011

A. Square, an inhabitant of the two-dimensional Flatland, is taken on a journey of Lineland, Spaceland, and Pointland, during which he learns to transcend many of his assumptions about the universe and the natural order.

There are two parts to the Flatland narrative. The first reads like your standard (albeit clever - clever enough to fool several contemporary reviewers) social commentary, while the second tries to illustrate the failings of perspective and how trapped we are in comprehending only our own and lower dimensions. But as with any excellent writer, the division is never quite so clear and the second part provides a very interesting lens for the first.

I knew going in that I would enjoy Flatland; I'd heard enough about it for that. I'm glad to say that I was not disappointed. This is an excellent and readable novel that is one part social commentary, one part math, and one part Crusoe adventure!

I highly recommend the Broadview edition of the text. As always, the notes, introduction, and additional materials are both interesting and informative.

Treasure Island by Robert Louis Stevenson

Read: 11 January, 2011

Much of what we think we know about pirates today actually comes from Stevenson's fictional narrative, Treasure Island. The plot is well-known: A pirate stays in an inn and, when the town is attacked by pirates, the proprietor's son, Jim Hawkins, is left in possession of a treasure map. I grew up watching the story told and retold in cartoons, plays, and even as a puppet show! So it was very interesting for me to read the original book.

I went in expecting it to be heavy on the Victorianities, a good story but rather wordy. What I found was a very pleasant surprise. Treasure Island is fast-paced and exciting, with adventure and suspense and humour. I couldn't read through fast enough and felt genuinely sad when the story ended.

I'm greatly looking forward to reading it again when my son graduates from his board books!

Watership Down by Richard Adams

Read: 8 June, 2009

When Fiver senses that a great danger is coming to the warren, only his brother and a few others believe him. Unable to convince the other rabbits, this small band leaves on a journey in search of safety that takes them through farmyards, across roads and rivers, and into warrens with very different cultures.

This is an absolutely fantastic book. The adventure story alone is well worth the read, but the amateur mythicist in me was especially impressed with the construction of an entire rabbit culture and religious system, language included. Especially impressive is how familiar and, yet, distinctly alien the rabbit culture is. This rarely felt like a book about people that happens to be set in a rabbit setting. Rather, this was a book about rabbits, only slightly anthropomorphism. The characters and their culture retain a great deal of what can only be called 'rabbitiness.'

Most books get at least one aspect right. Some get a few things right. When this happens, the book may be called masterful, or great. But Watership Down is one of the very few books that tempt me to use the word 'perfection.' This is a masterpiece and I think that anyone who hasn't read it yet is somewhat impoverished. There's something about it that just touches the Jungian collective subconscious. This is the hero with a thousand faces pulled off in a way that feels natural.

Though marketed as a children's book (although perhaps a little too gruesome/frightening for younger kids), Watership Down is a must read for adults as well.

The Merry Adventures of Robin Hood by Howard Pyle

Read: 24 November, 2010

When we found out we were having a son, I started reviewing my planned reading lists for gender-interest. That's when I realized that my knowledge of "boy books" is woefully inadequate. I have oodles of "strong willed girl finds her place in society as she transitions into womanhood" books - more than enough to fill any childhood. I certainly want my son to be exposed to these kinds of books, but I realized that I was going to have to expand my repertoire to include at least some books that aren't about girls getting their first periods if I was going to make a life-long reader out of this kid.

I decided to start with the classics of boy's literature, and that's how I ended up reading Robin Hood.

It was fantastic! Even though there was a serious lack of menstruation, there was more than enough exciting adventure to compensate.

The book is told as a series of short stories that build on each other only very loosely. Each one is an adventure involving Robin Hood and his companions; many of them tell how a particular individual came to join Robin Hood's gang.

The stories are exciting and full of action (and more than a little violence). They are also full of witty arguments, which are often very clever and funny. I found myself laughing out loud more than a few times!

Robin Hood is a sort of trickster figure, often seen playing pranks on others that sometimes backfire.

It's a great book! I'll definitely be recommending it to my son once he's at least put diapers behind him. It's a children's book, but it's certainly worth the reading for adults too!

PS: Given what I knew already of the Robin Hood legends, I was surprised to find out that Maid Marian is such a non-character - at least in this rendition. She's mentioned a few times as Robin's girlfriend, but that's the extent of it. I don't think she even makes an appearance in the story, and we certainly never learn any biographical details about her!

The Princess Bride by William Goldman

Read: 6 April, 2010

True love is incredibly rare, but Buttercup and Westley have found it. When Westley is killed by the Dread Pirate Roberts, Buttercup agrees to marry Prince Humperdink. She's kidnapped just before her wedding, and is followed by a mysterious stranger. Who is he? Has he come to rescue her?

This was a fantastic book. I was pretty sure it would be after knowing and loving the movie for many years, but there was so much more to the novel form. The movie follows the story of Buttercup and Westley pretty accurately, but that's only half the book. The other half describes the narrator's relationship with S. Morgenstern's novel, the way it impacted his relationship with his father and with himself, and the way he hopes it will impact his relationship with his son.

The Buttercup portions of the novel are greatly entertaining for readers of all ages. The adventure is exciting and fast-paced, and it never takes itself too seriously. But the addition of the narrator's story is what promotes The Princess Bride from great novel to masterpiece. The novel could pass for a treatise on the value of books and literacy, and for the deeply personal and emotional ties we can have to our books.

Choose to read this superficially and be entertained. Or, choose to read it deeply and be challenged. Goldman pulls both facets off with rare skill. This book should be on everyone's reading list!

Earth's Children #4: The Plains of Passage by Jean M. Auel

Read: 23 May, 2011

Ayla and Jondalar continue on their journey back to Zelandonii lands, a journey that takes them just over a year. On the way, they revisit the Sharamudoi from The Valley of the Horses, meet a tribe that has enslaved its men, and have various other adventures.

For nearly half the book, Ayla and Jondalar are travelling alone. Rather than simply skip ahead to more interesting bits, Auel made the interesting choice of narrating two people walking for hundreds of miles. I'm not sure that I've ever read anything quite so boring. Perhaps sensing that "two people walk a really long distance" does not an interesting story make, Auel decided to splice in a sex scene every couple pages. They come in such rapid succession and are so gratuitous that even the most ardent romance novel fan couldn't help but feel some burn-out.

Indeed, the first 300 or so pages could have been cut out without losing any story. There are a couple interesting incidents, but these could easily have been strung together with far less padding in between.

As a result, it took my nearly two months to read the first half of Plains of Passage. Once I passed that hump, however, and our travellers started meeting people, I read the rest in a mere two weeks - leaving me ready for the next instalment. Like a junky, I just keep coming back...

The point of the novel, beyond simply getting Ayla back to Jondalar's people so we can deal with that drama, was for her to confront her past with the Clan and make sense of the relationship between Clan and Others. Like in The Mammoth Hunters, her heritage is outed a couple times and she must deal with the prejudice that brings. When the travellers meet the S'Armunai, they see what happens when Clan gender-specific roles are corrupted and brought into an Other society. Later, Ayla gets to actually meet a few members of the Clan (and a half-breed).

I very much enjoyed the interactions with the Clan, particularly the Clan encounter itself. I had a feeling that the book was moving toward a Clan encounter (even without cheating and looking at the map) and I was eagerly awaiting it. Of course, it didn't happen until nearly at the very end, but it was well worth it.

His Dark Materials #2: The Subtle Knife by Philip Pullman

Read: 16 December, 2008

Awesome book - a complete page-turner. My only issue would be that Lyra seems much more passive than she did in The Golden Compass. She seems to just follow Will around rather than acting for herself. I can understand the idea that she is sacrificing her own desires to help Will accomplish his destiny, but it just seemed a shame to have the female character acting in such a way to a male character.

Reading some of the reviews on Shelfari, I have to agree that this book was more of a page-turner than the first one, but had less substance. Certainly, the action moved along quite quickly and a great deal of information was given out about the subtle knife and the Authority, but I guess that because we already know most of the characters, less time was needed to establish them. The result was a more plot-driven book than the first had been.

Also, Pullman used variations of the word "wary" far too much in the first dozen or so pages. Other than that, it was a fabulous book and I can't wait to read the third instalment!

His Dark Materials #1: The Golden Compass by Philip Pullman

Read: 3 August, 2008

Absolutely fantastic book! While I do think it would be fabulous for children to read (I don't think it would be appropriate for anyone younger than 10, though), it has more than enough content for adults as well. In fact, I would go so far as to say that I found it more complex and "intellectual" (quotes used because I hate that word) than most grown-up books I've read. And now for a lengthy list of some of the things I especially liked:

Lyra feels like a real kid. I've read many kids' books where we are told that the main character is a tomboy and so forth, but then the character never acts like that once the introduction of the story is over with. Lyra, on the other hand, wants to play and be a child throughout the story. She also thinks like a child. While most stories with children will pay some lip service to the idea of childhood, Lyra actually feels genuine. She is also afraid, she doubts herself, she moans and wishes that it could all be happening to someone else instead. She has real character flaws, not just insignificant details tacked on as an afterthought to make the main character seem like less of a super-human.

That level of characterization doesn't end with the main character. The other important characters were ambiguous. They had motives of their own that went far beyond "I'm, like, totally evil! MUAHAHA!" Right from the beginning, we think the master of Jordan College is evil because he's trying to poison Lord Asriel only to find out a few pages later that he was only doing so because he was trying to protect Lyra. This continues on throughout the story so that the characters feel real and can never really be pegged as either "good" or "evil."

Often, when I read children's novels, there will be bits that make me uncomfortable. A perfect example that comes from a grown-up novel is Lucky You by Carl Hiaason. The main characters are obviously supposed to be Good and they do their whole speech about how murder is wrong, then they leave the main Evil character to die on the island without any guilt whatsoever. Had an Evil character done something like that, it would be thought of as horrible - but because a Good character did it, it's no big deal. These sorts of things make me feel very uncomfortable when found in any novel, but most especially in a kid's book. I hate the thought of exposing my own hypothetical children to that sort of corrupt value system. The Golden Compass had no such moments. There were times when Lyra had to do things that, under ordinary circumstances, I would consider bad, but she always feels guilt about them. They are always acknowledged as being bad, though necessary. At no point did this novel offend my personal morality, and that's saying a whole lot.

I also liked all the positive lessons of the story - the triumph of Iorek among the bears tells kids that it's better to be yourself than to weaken yourself trying to be something else; Lyra is afraid, but she masters herself and perseveres anyway, showing kids that it's okay and legitimate to feel afraid, but that they, too, can master their fears. Lyra is also a very active protagonist. She initiates much of the plot in a way that is woefully rare for characters, female ones especially.

And finally, Pullman writes with a perfect balance of ideas and action, allowing me to enjoy my reading of the book immensely (I must say, I found myself holding my breath several times while reading) while also giving me plenty to think about once I put the book down. This is an all-over fantastic book that I can't possibly praise enough. I've now ordered the next two books in the series and here's hoping they come soon!

The Epic of Qayaq retold by Lela Kiana Oman

Read: 2006

As Qayaq's siblings grow up, all leave home to seek their fortunes and never return. Qayaq, the youngest and last of his parents' children, decides to go in search of his siblings. From there, the story cycles through episodes of Qayaq's legendary journey over land and by kayak.

Qayaq has something of the trickster in him making these stories very interesting. In particular, I found the fluidity between the animal and human worlds very interesting. Qayaq is able to turn himself into animals and they into humans. Because the book is a collection of stories from an epic cycle each functions well alone and they make for a pleasantly varied experience if read all at once.

I especially enjoyed my edition because the edges of each page contained short summaries of the stories as well as illustrations that fit the action described. It may seem like only a small detail, but being able to see the Inupiat art along with the stories added a fantastic extra dimension.